Custom oil painting
Warmly welcome visit our site : www.art-ych.com .
Central United Methodist Church: Noon-5 p.m. Sat.; 9:30 a.m.-4 p.m. Sun. Fellowship Hall, 3700 Pacific Ave. (209) 466-5046.Children's Museum of Stockton: Hands-on, play-based exhibits of a
small city with bank, post office, grocery store, hospital, newsroom, movie theater, firetruck, police car; ongoing. Hours: 9 a.m.-4 p.m. Tues.-Fri.; 10 a.m.-5 p.m. Sat.; noon-5 p.m. Sun. 402 W. Weber Ave. $4.75; younger than 2, free. (209) 465-4386.Elsie May Goodwin Gallery: Hours: 11
a.m.-5 p.m. Tues.-Fri.; 10 a.m.-4 p.m. Sat. 1902 Pacific Ave. Free. www.stocktonartleague.org, (209) 466-6604.The Haggin Museum: American Western landscape paintings by Albert Bierstadt
and others, Hull Gallery; Realist and Impressionist 19th century about Custom oil painting
Haggon Room. Hours: 1:30-5 p.m. Wed.-Sun.; 1:30-9 p.m., first and third Thurs. Victory Park, 1201 N. Pershing Ave. $5; $2.50 seniors (65 and older); $2.50 students and children; 9 and younger admitted free. haggin museum.org, (209) 940-6300.Horton art painting , Shima Center: Hours: 11 a.m.-4 p.m. Tues.; 11 a.m.-6:30 p.m. Wed., Thurs.; 11 a.m.-1 p.m. Fri.; 11 a.m.-3 p.m. Sat. 5151 Pacific Ave. Free. finearts.deltacollege.edu, (209) 954-5507.Jack Feldman Museum of Fine Art: Acrylics by Jack Feldman. Available for show by appointment. 330 W. Magnolia St., Stockton. Free. (209) 460-1633.San Joaquin County Law Library: Hours: 8 a.m.-5 p.m. Mon.-Fri. 20 N. Sutter St. Free. (209) 468-3920.Tidewater Art Gallery: Hours: 10 a.m.-5 p.m. Mon.-Fri.; 11 a.m.-3 p.m. Sat. 223 E. Weber Ave. Free.(209) 463-4033.Lodi,County Historical Museum: Hours: 11 a.m.-4 p.m. Wed.-Sun. Micke Grove Regional Park, 11793 N. Micke Grove Road, Lodi. $5 adults; $4 seniors and teens; $2 children (6-12). Park entry fee: $3 weekdays; $5 weekends,(209) 953-3460 and (209) 331-2055.Knowlton Gallery: Hours:
11 a.m.-5 p.m. Tues.-Sat. 115 S. School St., No. 14. Free. (209) 368-5123.Lodi Community Art Center: Hours: 10 a.m.-6 p.m. Tues.-Sat. 1373 Lakewood Mall, Ham Lane and Elm Street. www.lodiartcenter.org, (209) 333-3855.Mother Lode, Modern art : Fine-art masks by Sharon Strong; oil paintings by George Allen Durkee, ongoing. Hours: 11 a.m.-5 p.m. Fri.-Mon. 432 Main St., Murphys. Free. (209) 728-8640.Fine Eye Gallery: Hours: 10 a.m.-5:30 p.m. daily. 71 Main St., Sutter Creek. info@fineye.com, (209) 267-0571.Gallery 10: Hours: 11 a.m.-4 p.m. Thurs.-Mon., Sutter Creek. 15 Eureka St., Sutter Creek., (209) 267-0203.Harbinger Gallery: Hours: 10 a.m.-5 p.m. Thurs.-Mon. 1224 Oak Circle, Arnold. (209) 795-5957.
Heritage Museum and Gallery: Hours: 11 a.m.-5 p.m. daily. Ironstone Vineyards, 1894 Six Mile Road, Murphys. (209) 728-1251.
Iron Door Gallery: original oil paintings watercolors, acrylics, oils and pastels, art glass, jewelry, pottery, fine Canvas oil painting ,artist greeting cards. Hours: 11 a.m.-5 p.m. Thurs.-Mon. 458-C Main St., Murphys. Free. (209) 728-1928.My Glass Shop: oil painting artist , ongoing. 10 a.m.-5 p.m. Tues., Thurs.; 10 a.m.-7 p.m. Wed., Fri.; 1-6 p.m. Sat. 291 S. Washington St., Sonora. (877) 457-7467.
2009年3月22日星期日
Oil painting Frame
Oil painting Frame
Warmly welcome visit our site : www.art-ych.com
That's how I feel about the big Norman Rockwell exhibition that opens today at the Detroit Institute of Modern art . Well, hate isn't exactly right. I find Rockwell to be a virtuoso illustrator, a master storyteller and concoctor of escapist nostalgia and fantasy. He can be funny and, of course, he tugs at the heartstrings as relentlessly as Old Yeller.And believe it or not, Rockwell, once derided as the Rembrandt of Punkin' Crick, has found a home in American museums. The handmade oil paintings of high culture are still wrangling over whether his arrival is a sign of decadence or redemption, but no matter how you look at it, Rockwell remains a special case.He is an Animal painting in complete command of his technique and whose iconic images have left an indelible mark on the American imagination. He is endlessly fascinating for the questions his idealized apple pie-and-mom iconography and easy-to-grasp pictures raise about the perils of popularity, the hegemony of the mass media and the evolving notions of fine art, kitsch and the avant-garde.
"American Chronicles: The Art of Norman Rockwell," first organized by the Norman Rockwell Museum in Stockbridge, Mass., but smartly reconceived by the DIA, includes 43 oil paintings, all 323 of the artist's Saturday Evening Post covers and the ubiquitous "Four Freedoms" posters from World War II. The show, which runs through May 31, makes the Landscape oil painting case that there was more to Rockwell than meets the eye, without, gratefully, trumpeting him, as others have, as a Yankee version of a Dutch master like Vermeer.
But with a handful of exceptions, the paintings here are dead on arrival. There is no life in the surfaces. The brushwork and color lay mute. Many pictures are so overstuffed with detail they suggest clogged Impression painting. It's reasonable to forgive the parade of freckle-faced children, fuzzy family scenes, small-town syrup and triumphant Waspism -- a falsely sanitized picture of the American experience
on the grounds that Rockwell was, after all, an ad man Oil painting Frame a mirage designed to sell everything from magazines to corn flakes. (2 of 4)
Warmly welcome visit our site : www.art-ych.com
That's how I feel about the big Norman Rockwell exhibition that opens today at the Detroit Institute of Modern art . Well, hate isn't exactly right. I find Rockwell to be a virtuoso illustrator, a master storyteller and concoctor of escapist nostalgia and fantasy. He can be funny and, of course, he tugs at the heartstrings as relentlessly as Old Yeller.And believe it or not, Rockwell, once derided as the Rembrandt of Punkin' Crick, has found a home in American museums. The handmade oil paintings of high culture are still wrangling over whether his arrival is a sign of decadence or redemption, but no matter how you look at it, Rockwell remains a special case.He is an Animal painting in complete command of his technique and whose iconic images have left an indelible mark on the American imagination. He is endlessly fascinating for the questions his idealized apple pie-and-mom iconography and easy-to-grasp pictures raise about the perils of popularity, the hegemony of the mass media and the evolving notions of fine art, kitsch and the avant-garde.
"American Chronicles: The Art of Norman Rockwell," first organized by the Norman Rockwell Museum in Stockbridge, Mass., but smartly reconceived by the DIA, includes 43 oil paintings, all 323 of the artist's Saturday Evening Post covers and the ubiquitous "Four Freedoms" posters from World War II. The show, which runs through May 31, makes the Landscape oil painting case that there was more to Rockwell than meets the eye, without, gratefully, trumpeting him, as others have, as a Yankee version of a Dutch master like Vermeer.
But with a handful of exceptions, the paintings here are dead on arrival. There is no life in the surfaces. The brushwork and color lay mute. Many pictures are so overstuffed with detail they suggest clogged Impression painting. It's reasonable to forgive the parade of freckle-faced children, fuzzy family scenes, small-town syrup and triumphant Waspism -- a falsely sanitized picture of the American experience
on the grounds that Rockwell was, after all, an ad man Oil painting Frame a mirage designed to sell everything from magazines to corn flakes. (2 of 4)
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