Portrait painting

Portrait painting
A new style of governance
Realism painting in this new army, Ai Xuan is a very personality, a great achievement. He desolate Tibetan plateau scenery and characters found in self-expression of the feelings of the material, and after repeated its thinking, pondering and research, this material Our refining their own unique language. In this way, the realism of the local group of artists, Ai Xuan blazed a unique new way，Wu Guanzhong's painting is full of the best reflection of this century Chinese art of the various features of the face, that the East-West convergence of art and hybridization. Chinese culture has a long history, rich in nutrition, to give artists sufficient nutrients, but at the same time, it will become a heavy burden, so that works hard to change. How to maintain the tradition of Chinese and Western cultures together again, is the twentieth century Chinese painters in the face of the big issues. Wu Guanzhong in this area is one of the leaders. The article has become a classic study of Wu Guanzhong's paintings papers worth reading.Writing about contemporary Chinese painting of the article, the regular pattern of the tree is 10 years little change; the lack of development in the West are familiar with the process. So that the history of the case, but can not be allowed to continue. In the turbulent social context, still a number of amazing artists and works of art. Wu Guanzhong's painting is a case in point. He was born and in 1919. Despite the early years has matured to become famous, but it was not until Qibashinian generation. He's come to all of a sudden, they brought us a new phenomenon. He appeared in a group of outstanding new exhibition and publication of the artist, his work is far more than highlight the novel; more confident that people in authority. A new style of governance. We immediately recognized that: This is what we have to focus on one of the painter, has long been seeking to pressure in our minds on a variety of answers to these questions: Chinese painting go? Its development, success and the convergence of the world? The nature of China's prospects and maintain the traditional relations? The cost of modernization and so on. Familiar with the Chinese art of the twentieth century with the difficult social history of the development of the law, will find works of Wu Guanzhong's not difficult to understand. His paintings are full of the best reflection of this century Chinese art of the various features of the face, that the East-West convergence of art and hybridization. In the face of Chinese culture in the world, has a long tradition, rich in nutrients, on the one hand, enough to feed her artists, on the other hand, finds himself a heavy burden on its own. There is a conversion time: struggling; breathing meditation; to rise again. ( Oil paintings , Hand painted oil paintings , wholesale oil paintings ,photo frame . Modern art, Portrait painting , linen canvas .knife painting .Canvas painting . Figure painting .Pet portrait , Seascape painting , Animal painting ,Nude painting , Birds painting , Still life painting, Drawing from nature,Oil painting reproductions，wholesale portrait oil paintings，acrylic painting ）Welcome warmly visit http://www.art-ych.com/
Chinese artists of the twentieth century must be maintained in the face of traditional, Western and Eastern and Western cultures to learn together into one issue. In this group, Wu is one of the leaders. Put up with all kinds, he represents the modern Chinese painting were trying to explore, and he works hard and this is the crystallization of exploration. Over the years, Wu Guanzhong hovering in the Western culture and traditions of the East at a crossroads. He earlier taught by masters such as Lin and Pan Tianshou, the cultivation of culture and art are Chinese-style training, and then in Paris three years of living abroad, he will be ushered into a strange world of Western aesthetics. Similarly, memorable, profound. In the systematic observation of Wu's works, we can see the two arts initial positive confrontation, compromise with each other gradually, integration, he worked on the basis that he is in the final level of Chinese aesthetics and a deep understanding of the West grasp the reality techniques. At first, both in water and fire, he is like. Single coin to choose one, which is how easy ah! He has chosen to be two. If you had studied in Europe for Chinese artists have been comprehensive, careful study, they can more clearly see Paris Wu Guanzhong. Among them, Wu is the only differences. He obviously different from the completion of their studies abroad to stay in the artists, such as his classmates ZAO Wou-ki. Despite their subjective wish to maintain their [Chinese] background, but actually in melting deep in the West to the traditional, he is different from those studying abroad to return after the artist's path. These artists back to the nest after the return to traditional Chinese painting category - perhaps shows that it is their home. In this group of the most famous in Xu and Wu Zuoren We have seen that with the Chinese foreign alternating style, rather than integration: they are realistic oil paintings, ink is China's. Limited combination of both. At the same time, we can see on the European academic model of the attachment limit their ability to limit the Chinese painting of the twentieth century Western painting and change the achievements of the ability to respond to. In the painting of two medium and two kinds of traditions, a combination of both styles, Wu Guanzhong than a lot of progress. In Wu's oil paintings, he found a pen and Chinese painting techniques with imitation, in large "splash color" to make the fine lines outline; about style, and so on, these are typical of traditional Chinese ink painting. "Fishing Music" is a successful case. On the contrary, in his recent paintings in China, Wu has played a pen and the "splash-ink" caused by the energy of a similar flat in the late Impressionism, and not abstract general. Wu will be the 2085 oil painting "Chuang Water Week", we can see the differences painting medium has been reduced to nothing to do with the overall situation. There are other artists, such as live overseas Chinese painting master Wang to move their oil paintings on the practice has affected their use of color or brush will also be used in the oil painting. It is hard to see but another artist like Wu Guanzhong oil paintings and ink as easily between activities.Recognizes this, we must also be seen in some recent Chinese painting, Wu is most proud of the successful application of a number of oil in it is not possible techniques. This is what most people appreciate his personal
( Oil paintings , Hand painted oil paintings , wholesale oil paintings ,photo frame . Modern art, Portrait painting , linen canvas .knife painting .Canvas painting . Figure painting .Pet portrait , Seascape painting , Animal painting ,Nude painting , Birds painting , Still life painting, Drawing from nature,Oil painting reproductions，wholesale portrait oil paintings，acrylic painting ）Welcome warmly visit http://www.art-ych.com/